Banksy b. 28 July 1974
Bomb Hugger (Bomb Love) (Signed), 2003
Screenprint on paper
70 x 50 cm
27 14/25 x 19 69/100 in.
27 14/25 x 19 69/100 in.
Edition of 150
Copyright The Artist
Bomb Hugger—also known as Bomb Love—is one of Banksy's most iconic and provocative screenprints, first released in 2003. The artwork features a young girl, rendered in stark black-and-white stencil style,...
Bomb Hugger—also known as Bomb Love—is one of Banksy's most iconic and provocative screenprints, first released in 2003. The artwork features a young girl, rendered in stark black-and-white stencil style, tenderly embracing a large aerial bomb. The contrast between innocence and destruction is at the heart of this piece, with the girl's peaceful expression and gentle posture clashing powerfully with the deadly nature of the object she holds.
True to Banksy's subversive visual language, Bomb Hugger critiques the normalization of war and militarism, especially in the context of Western foreign policy during the early 2000s. The inclusion of a pink heart hovering above the girl adds a layer of irony and emotional tension, underscoring the absurdity of associating love and care with instruments of violence.
This signed edition, limited to just 150 prints, is highly sought after by collectors and institutions alike. Hand-signed by Banksy in the lower right corner, it carries the cachet and authenticity of a rare early work by the elusive street artist. The piece was originally distributed by Pictures on Walls (POW), Banksy’s long-time print publisher, which ceased operations in 2017.
True to Banksy's subversive visual language, Bomb Hugger critiques the normalization of war and militarism, especially in the context of Western foreign policy during the early 2000s. The inclusion of a pink heart hovering above the girl adds a layer of irony and emotional tension, underscoring the absurdity of associating love and care with instruments of violence.
This signed edition, limited to just 150 prints, is highly sought after by collectors and institutions alike. Hand-signed by Banksy in the lower right corner, it carries the cachet and authenticity of a rare early work by the elusive street artist. The piece was originally distributed by Pictures on Walls (POW), Banksy’s long-time print publisher, which ceased operations in 2017.
