Andy Warhol American, 1928-1987
Mick Jagger (F. & S. II.146), 1975
Screenprint in colors on Arches Aquarelle paper
43.2 x 28.9 cm
17 1/100 x 11 19/50 in.
17 1/100 x 11 19/50 in.
Andy Warhol’s Mick Jagger (F. & S. II.146) is part of a portfolio of ten screenprints created in 1975, capturing the raw charisma and rebellious persona of the legendary Rolling...
Andy Warhol’s Mick Jagger (F. & S. II.146) is part of a portfolio of ten screenprints created in 1975, capturing the raw charisma and rebellious persona of the legendary Rolling Stones frontman. In this series, Warhol fuses photography with expressive hand-drawn lines and blocks of bold color to create a striking and fragmented portrayal of celebrity.
This particular image features a black-and-white photographic base—taken by Warhol himself—overlaid with vivid screen-printed colors and gestural markings. Jagger’s intense gaze and confident pose exude the gritty rock 'n' roll energy that defined his public image during the 1970s.
Warhol blurs the line between high art and popular culture, presenting Jagger not just as a musician, but as a manufactured icon—much like Warhol's earlier depictions of Marilyn Monroe or Elvis Presley. The layering of colors and line work suggests both construction and deconstruction, hinting at the carefully crafted nature of fame.
By collaborating directly with Jagger and signing each print alongside him, Warhol also underscores the merging of artist and celebrity—a theme central to his work. F. & S. II.146 is a vivid example of Warhol's ongoing exploration of identity, fame, and the commercialization of the individual.
This particular image features a black-and-white photographic base—taken by Warhol himself—overlaid with vivid screen-printed colors and gestural markings. Jagger’s intense gaze and confident pose exude the gritty rock 'n' roll energy that defined his public image during the 1970s.
Warhol blurs the line between high art and popular culture, presenting Jagger not just as a musician, but as a manufactured icon—much like Warhol's earlier depictions of Marilyn Monroe or Elvis Presley. The layering of colors and line work suggests both construction and deconstruction, hinting at the carefully crafted nature of fame.
By collaborating directly with Jagger and signing each print alongside him, Warhol also underscores the merging of artist and celebrity—a theme central to his work. F. & S. II.146 is a vivid example of Warhol's ongoing exploration of identity, fame, and the commercialization of the individual.