Andy Warhol American, 1928-1987
Birmingham Race Riot (FS II.3), 1964
Screenprint on Strathmore Drawing paper
50.8 x 61 cm
20 x 24 1/50 in.
20 x 24 1/50 in.
Created in 1964 and later included as part of Warhol’s Flash – November 22, 1963 and Death and Disaster series, Birmingham Race Riot confronts the harsh realities of racial violence...
Created in 1964 and later included as part of Warhol’s Flash – November 22, 1963 and Death and Disaster series, Birmingham Race Riot confronts the harsh realities of racial violence in America. The piece is based on a photograph by Charles Moore, originally published in Life magazine, depicting Black protestors being attacked by police dogs during a civil rights demonstration in Birmingham, Alabama, in 1963.
Warhol reproduces the image in stark black and white, emphasizing repetition and fragmentation. By isolating and repeating the image across panels, he forces viewers to confront the brutality and injustice captured in the scene. Unlike his colorful celebrity portraits, this work is raw and confrontational, reflecting Warhol’s interest in media, violence, and the desensitization of society to real human suffering.
Birmingham Race Riot is not just a political statement—it’s also a commentary on how mass media frames tragedy, turning moments of deep social pain into consumable imagery.
Warhol reproduces the image in stark black and white, emphasizing repetition and fragmentation. By isolating and repeating the image across panels, he forces viewers to confront the brutality and injustice captured in the scene. Unlike his colorful celebrity portraits, this work is raw and confrontational, reflecting Warhol’s interest in media, violence, and the desensitization of society to real human suffering.
Birmingham Race Riot is not just a political statement—it’s also a commentary on how mass media frames tragedy, turning moments of deep social pain into consumable imagery.