Andy Warhol American, 1928-1987
Kiku (FS II. 308), 1983
Screenprint on Rives BFK Paper
49.8 x 66 cm
19 61/100 x 25 49/50 in.
19 61/100 x 25 49/50 in.
In Kiku (FS II.308), Andy Warhol shifts away from celebrity portraiture to explore the quiet elegance of nature—specifically, the kiku, or chrysanthemum, a flower deeply rooted in Japanese culture. Created...
In Kiku (FS II.308), Andy Warhol shifts away from celebrity portraiture to explore the quiet elegance of nature—specifically, the kiku, or chrysanthemum, a flower deeply rooted in Japanese culture. Created in 1983, this work is part of Warhol’s Kiku series, which was commissioned for an exhibition in Tokyo and reflects his fascination with Japanese aesthetics and symbolism.
Rendered in vivid, saturated colors, the chrysanthemum blooms seem to float against a solid background, with overlapping petals outlined in delicate, gestural lines. Warhol treats the flowers not just as botanical forms, but as graphic icons, using bold color contrasts and screenprinting techniques to elevate their presence into something strikingly modern.
Unlike much of Warhol’s work focused on fame, consumerism, or media, Kiku (FS II.308) feels more meditative—offering a rare moment of serenity and subtlety in his oeuvre. Yet, true to Warhol’s style, the repetition and color manipulation give the piece a stylized, almost synthetic beauty, blurring the line between nature and artifice.
Kiku stands as a testament to Warhol’s versatility, merging Eastern inspiration with Western pop sensibilities, and capturing the timeless allure of the chrysanthemum in a distinctly contemporary form.
Rendered in vivid, saturated colors, the chrysanthemum blooms seem to float against a solid background, with overlapping petals outlined in delicate, gestural lines. Warhol treats the flowers not just as botanical forms, but as graphic icons, using bold color contrasts and screenprinting techniques to elevate their presence into something strikingly modern.
Unlike much of Warhol’s work focused on fame, consumerism, or media, Kiku (FS II.308) feels more meditative—offering a rare moment of serenity and subtlety in his oeuvre. Yet, true to Warhol’s style, the repetition and color manipulation give the piece a stylized, almost synthetic beauty, blurring the line between nature and artifice.
Kiku stands as a testament to Warhol’s versatility, merging Eastern inspiration with Western pop sensibilities, and capturing the timeless allure of the chrysanthemum in a distinctly contemporary form.