In Skulls (FS II.159), Andy Warhol transforms the stark image of a human skull into a vivid pop-art composition. The skull, based on a photograph taken by Warhol’s assistant, is rendered in shades of gray and black, overlaid with bold, semi-transparent blocks of purple, pink, red, yellow, and black. These colors, applied in flat planes, create a dynamic contrast against the monochromatic skull, emphasizing its contours and shadows. The background remains neutral, allowing the vibrant hues to dominate the composition. This screenprint is part of Warhol’s Skulls series, created in 1976, which marks a thematic shift in his work towards darker subjects, possibly influenced by his near-fatal shooting in 1968. The series reflects his exploration of mortality and the fragility of life, themes that became more prominent in his art following the traumatic event. Warhol’s use of color and repetition in this piece exemplifies his ability to merge commercial techniques with profound themes, turning a symbol of death into an iconic image.