Andy Warhol American, 1928-1987
Tattooed Woman Holding Rose, 1955
Offset lithograph in orange, on green thin wove paper
74.6 x 27.9 cm
29 37/100 x 10 49/50 in.
29 37/100 x 10 49/50 in.
Andy Warhol’s Tattooed Woman Holding Rose is a whimsical and expressive ink drawing created in the mid-1950s, during his early career as a commercial illustrator. This work reflects Warhol’s distinctive...
Andy Warhol’s Tattooed Woman Holding Rose is a whimsical and expressive ink drawing created in the mid-1950s, during his early career as a commercial illustrator. This work reflects Warhol’s distinctive line-drawing style from that period—characterized by loose, delicate ink lines, decorative flourishes, and a playful sense of character.
The drawing depicts a woman covered in tattoos, gently holding a rose, blending the boldness of body art with the softness of a romantic gesture. The subject matter contrasts the unconventional (tattoos, which were culturally edgy at the time) with the traditionally feminine (flowers), showcasing Warhol’s fascination with identity, beauty, and societal expectations.
This piece belongs to a body of early works in which Warhol explored offbeat characters and expressive line work, often accompanied by handwritten text or paired with vibrant watercolor washes. Though created before his rise to fame in the Pop Art movement, Tattooed Woman Holding Rose already hints at his interest in individuality, celebrity, and surface appearance.
Charming yet subversive, the drawing captures Warhol’s early artistic voice—where commercial illustration meets fine art—and serves as a precursor to the themes of persona and image that would define his later work.
The drawing depicts a woman covered in tattoos, gently holding a rose, blending the boldness of body art with the softness of a romantic gesture. The subject matter contrasts the unconventional (tattoos, which were culturally edgy at the time) with the traditionally feminine (flowers), showcasing Warhol’s fascination with identity, beauty, and societal expectations.
This piece belongs to a body of early works in which Warhol explored offbeat characters and expressive line work, often accompanied by handwritten text or paired with vibrant watercolor washes. Though created before his rise to fame in the Pop Art movement, Tattooed Woman Holding Rose already hints at his interest in individuality, celebrity, and surface appearance.
Charming yet subversive, the drawing captures Warhol’s early artistic voice—where commercial illustration meets fine art—and serves as a precursor to the themes of persona and image that would define his later work.
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