Andy Warhol American, 1928-1987
Kiku (FS II.307), 1983
Screenprint on Rives BFK Paper
49.8 x 66 cm
19 61/100 x 25 49/50 in.
19 61/100 x 25 49/50 in.
Kiku (FS II.307) is a vibrant screenprint by Andy Warhol, created in 1983 as part of his Kiku series. The work features the Japanese chrysanthemum flower—known as 'kiku' in Japanese—a...
Kiku (FS II.307) is a vibrant screenprint by Andy Warhol, created in 1983 as part of his Kiku series. The work features the Japanese chrysanthemum flower—known as "kiku" in Japanese—a symbol traditionally associated with longevity and rejuvenation. Warhol's interpretation modernizes this cultural icon through his signature Pop Art lens, using bold colors, layered printing, and flat graphic forms to transform the natural subject into a striking visual statement.
In Kiku (FS II.307), Warhol uses delicate yet vivid color combinations—often purples, pinks, oranges, and blues—to highlight the intricate shapes of the flower’s petals. The composition is both elegant and energetic, reflecting Warhol's fascination with beauty, repetition, and commercial aesthetics. Though rooted in traditional Japanese motifs, Warhol’s approach abstracts the flower into a form that blurs the line between nature and design.
This piece is part of a limited edition of screenprints Warhol made after visiting Japan, and it stands as a unique example of cross-cultural artistic dialogue. Unlike his more commercial imagery (like Campbell’s Soup Cans or celebrity portraits), Kiku reveals a more meditative and refined side of Warhol’s oeuvre, showcasing his ability to merge pop sensibilities with cultural depth.
In Kiku (FS II.307), Warhol uses delicate yet vivid color combinations—often purples, pinks, oranges, and blues—to highlight the intricate shapes of the flower’s petals. The composition is both elegant and energetic, reflecting Warhol's fascination with beauty, repetition, and commercial aesthetics. Though rooted in traditional Japanese motifs, Warhol’s approach abstracts the flower into a form that blurs the line between nature and design.
This piece is part of a limited edition of screenprints Warhol made after visiting Japan, and it stands as a unique example of cross-cultural artistic dialogue. Unlike his more commercial imagery (like Campbell’s Soup Cans or celebrity portraits), Kiku reveals a more meditative and refined side of Warhol’s oeuvre, showcasing his ability to merge pop sensibilities with cultural depth.
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