Andy Warhol American, 1928-1987
Portraits of the Artists (FS II.17), 1967
Screenprint on one hundred polystyrene boxes in ten colors
50.8 x 50.8 cm
20 x 20 in.
20 x 20 in.
Andy Warhol’s Portraits of the Artists (FS II.17), created in 1967, is part of his Cowles Portfolio — a collection of works celebrating prominent figures in the contemporary art world...
Andy Warhol’s Portraits of the Artists (FS II.17), created in 1967, is part of his Cowles Portfolio — a collection of works celebrating prominent figures in the contemporary art world of the 1960s. The piece features a grid of portraits depicting leading artists of Warhol’s circle, including figures such as Roy Lichtenstein, James Rosenquist, Claes Oldenburg, and Warhol himself. Rendered through the mechanical precision of screenprinting, the image captures the interplay between individuality and the collective identity of the Pop Art movement.
Warhol uses a stark, graphic format that mirrors the aesthetics of mass production and publicity imagery. Each artist’s face is reduced to simplified contrasts of light and shadow, echoing Warhol’s fascination with fame, replication, and the construction of persona. The repetition of format unites the artists as cultural icons, while subtle variations in expression and tone hint at their unique creative voices.
Portraits of the Artists serves as both homage and commentary — a visual time capsule of the New York art scene in the 1960s. By treating his peers as subjects of the same serial iconography he applied to celebrities, Warhol blurs the line between art and celebrity culture, suggesting that in the modern age, artists themselves had become Pop icons.
Warhol uses a stark, graphic format that mirrors the aesthetics of mass production and publicity imagery. Each artist’s face is reduced to simplified contrasts of light and shadow, echoing Warhol’s fascination with fame, replication, and the construction of persona. The repetition of format unites the artists as cultural icons, while subtle variations in expression and tone hint at their unique creative voices.
Portraits of the Artists serves as both homage and commentary — a visual time capsule of the New York art scene in the 1960s. By treating his peers as subjects of the same serial iconography he applied to celebrities, Warhol blurs the line between art and celebrity culture, suggesting that in the modern age, artists themselves had become Pop icons.
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